The photographs in the series End of Road were created with a plastic holga camera and several dozen rolls of expired film. This was a gesture filled with purpose and partly inspired by Baudrillard’s The Perfect Crime. The content in the images with End of Road become visible within the imperfections of each image. These photographs often have portions of the image obliterated that were left as a marker for rupture and potentially places new beginnings or as Heidegger tells us that a boundary is not that at which something stops but the boundary is that from which something begins its presencing. |
